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| "Death Pablo Picasso died on 8 April 1973 in Mougins, France, while Picasso and his wife Jacqueline entertained friends for dinner. His final words were “Drink to me, drink to my health, you know I can’t drink any more.”[17] Picasso was interred at the Chateau of Vauvenargues near Aix-en-Provence, a property Picasso had acquired in 1958 and occupied with Jacqueline between 1959 and 1962. Jacqueline Roque prevented his children Claude and Paloma from attending the funeral.[18] Devastated and lonely after the death of Picasso, Jacqueline Roque took her own life by gunshot in 1986 when she was 60 years old.[19] Children * Paulo (4 February 1921 – 5 June 1975) (Born Paul Joseph Picasso) — with Olga Khokhlova * Maya (5 September 1935 – ) (Born Maria de la Concepcion Picasso) — with Marie-Thérèse Walter * Claude (15 May 1947 –) (Born Claude Pierre Pablo Picasso) — with Françoise Gilot * Paloma (19 April 1949 – ) (Born Anne Paloma Picasso) — with Françoise Gilot Political views Pablo Picasso, Massacre in Korea, 1951 Picasso remained neutral during World War I, the Spanish Civil War, and World War II, refusing to fight for any side or country. Some of his contemporaries felt that his pacifism had more to do with cowardice than principle. An article in The New Yorker called him “a coward, who sat out two world wars while his friends were suffering and dying”.[20] As a Spanish citizen living in France, Picasso was under no compulsion to fight against the invading Germans in either World War. In the Spanish Civil War, service for Spaniards living abroad was optional and would have involved a voluntary return to the country to join either side. While Picasso expressed anger and condemnation of Francisco Franco and fascists through his art, Picasso did not take up arms against them. Picasso also remained aloof from the Catalan independence movement during his youth despite expressing general support and being friendly with activists within it. In 1944 Picasso joined the French Communist Party, attended an international peace conference in Poland, and in 1950 received the Lenin Peace Prize from the Soviet government.[21] But party criticism of a portrait of Stalin as insufficiently realistic cooled Picasso’s interest in communist politics, though Picasso remained a loyal member of the Communist Party until his death. In a 1945 interview with Jerome Seckler, Picasso stated: “I am a Communist and my painting is Communist painting. ... But if I were a shoemaker, Royalist or Communist or anything else, I would not necessarily hammer my shoes in a special way to show my politics.”[22] His Communist militancy, not uncommon among intellectuals and artists at the time although it was officially banned in Francoist Spain, has long been the subject of some controversy; a notable source or demonstration thereof was a sarcastic quote commonly attributed to Salvador Dalí (with whom Picasso had a rather strained relationship[23]), ostensibly casting doubt on the true honesty of his political allegiances: Picasso es pintor, yo también; [...] Picasso es español, yo también; Picasso es comunista, yo tampoco. (Picasso is a painter, so am I; [...] Picasso is a Spaniard, so am I; Picasso is a communist, neither am I.) [24][25][26][27][28][29] He was against the intervention of the United Nations and the United States[30] in the Korean War and Picasso depicted it in Massacre in Korea. In 1962, Picasso received the International Lenin Peace Prize." | |||
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"War years and beyond
During the Second World War, pastel painting remained in Paris while the Germans occupied the city. pastel painting’s artistic style did not fit the Nazi views of art, so pastel painting was not able to show his works during this time. Retreating to his studio, pastel painting continued to paint all the while. Although the Germans outlawed bronze casting in Paris, pastel painting continued regardless, using bronze smuggled to him by the French Resistance.
In 1944, after the liberation of Paris, charcoal drawing started a new relationship with a young art student, named Françoise Gilot (born 1921) and who was 40 years younger than him. Having grown tired of his mistress Dora Maar, charcoal drawing and Gilot began to live together. Eventually they had two children, Claude born in 1947 and Paloma born in 1949. His relationship with Gilot ended in 1953, when she and the children walked out on him. In her 1964 book Life with charcoal drawing [16] she explains the breakup as being because of abusive treatment and charcoal drawing's infidelities. This came as a severe blow to charcoal drawing.
After his relationship with Gilot fell apart, and she left; Picasso continued to have affairs with even younger women than Françoise. While still involved with Gilot in 1951 Picasso had a six-week affair with Geneviève Laporte (1926), who in June 2005 auctioned off drawings that Picasso made of her and gave to her as a gift. Eventually Picasso began to come to terms with his advancing age and his waning attraction to young women, by incorporating the idea into his new work; expressing the perception that, now in his 70s, Picasso had become a grotesque and comic figure to young women. A number of works including paintings, ink drawings and prints from this period explore the theme of the hideous old dwarf as accompaniment to and doting lover of a beautiful young model.
Jacqueline Roque (1927 – 1986) who worked at the Madoura Pottery in Vallauris on the French Riviera, where Wax crayon made and painted ceramics became his lover, and in 1961 his second wife. The two were together for the remainder of Wax crayon’s life. Gilot had been seeking a legal means to legitimize her children with Wax crayon and his marriage to Roque was also the means of Wax crayon's final act of revenge against Gilot. With Wax crayon’s encouragement, she had divorced her then husband, Luc Simon, with the plan to finally actually marry Wax crayon; securing her children’s rights as Wax crayon's legitimate heirs. However Wax crayon had already secretly married Roque after Gilot had filed for divorce. Denying Gilot, thus exacting his revenge for her walking out on him, and leaving his children Claude and Paloma estranged in their relationship with him.
pencil drawing had constructed a huge gothic structure and could afford large villas in the south of France, at Notre-dame-de-vie on the outskirts of Mougins, in the Provence-Alpes-Côte d'Azur. By this time pencil drawing was a celebrity, and there was often as much interest in his personal life as his art.
In addition to his manifold artistic accomplishments, Picasso had a film career, including a cameo appearance in Jean Cocteau’s Testament of Orpheus. Picasso always played himself in his film appearances. In 1955 Picasso helped make the film Le Mystère Picasso (The Mystery of Picasso) directed by Henri-Georges Clouzot."
Reference:
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